Until January 5, the Palais de Tokyo entrusted the space of the "grande verrière" to Malagasy artist Malala Andrialavidrazana. This monumental work on a curved wall almost 60 meters long enabled the artist to rearrange the digital photomontage work she has been showing around the world since 2015 into an unprecedented proposition, multiplied on the scale of the architecture. It thus constituted both a solo exhibition, her first in a public institution in Paris, and a retrospective including new works.

Curated by François Piron, the Yavarhoussen Fund supported the exhibition and the catalog, published by Éditions Dilecta.